ArchivesSpace at the University of Iowa

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The card depicts a photograph made by Gloria Wilson of a wall with white painted, handwritten names of fishing boats. -- Source of annotation: Marvin or Ruth Sackner.

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This collage was a gift from Sopie-Anne and Arnaud Blachet . It contains notarial paper from 1806 and part of the French Republic seal. -- Source of annotation: Marvin or Ruth Sackner.

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Copies 1-25 were included in an issue of Entwerter Oder. -- Source of annotation: Marvin or Ruth Sackner.

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The cover image features an image of two swans. -- Source of annotation: Marvin or Ruth Sackner.

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In Phillips' book Works and Text (1992), he indicates that this print (page 135) was ...put together with images of implied anger and violence; principally a cigarette-packet scarred with magnificant and furious drawing; done perhaps by someone driven to miniature and confined brutality as he (or she) waited for that feared and/or needed telephone call... On a more celebratory note I have used the letters ER from a piece of graffeti saying in full 'we are the bovver boys, dave and fred' as a reminder that this portfolio was finished in the Jubilee year." This print constitutes one of six prints from walking 1/2 mile around Phillips' studio. - it is based on the belief that there are no dull walks, only dull walkers. -- Source of annotation: Marvin or Ruth Sackner.

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Andryczuk's title substitutes "American Excess" for the "American Express" credit card designation. -- Source of annotation: Marvin or Ruth Sackner.

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Andryczuk's title substitutes "American Excess" for the "American Express" credit card designation. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents xIn Phillips' book Works and Text (1992), he indicates that the linoleum block was found on the street near his studio. He recounts a story (page 134) which was inspired by the find. "Every manufactured object is, visually, the point of confluence of unnumbered lines or stylistic development; it is the result of innumerable chance encounters of artists, craftsmen and artisans; is the product of the complete trade and trafic of the world..." There is a micrographic text that forms a border around the image and the documentary text mentioned above. It reads "Whether I might write about this pieceof linoleum is pure speculation except that it was found in a much begained (?) condition lying on the rubbish in a step outside of a house on the left hand side of Lyndhurst Grove Camberwell, London SE 15..." But it was too faint to be scanned as an image (MAS). This print constitutes one of six prints from walking 1/2 mile around Phillips' studio - it is based on the belief that there are...

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This issue contains a photograph that is reprinted and reproduced in (Uh..One & Uh..Two) Random Sightings. The cover photograph is by Alan Horvath. Reprints numerous collages from Serif (volume 8, number 4, 1972, Marijuana Newsletter #2 (1965), The Day is a Prayer they Can't Understand (1967), Cleveland Undercovers (1966), All Gods Must Learn to Kill (1967). Also reprints Farewell the Floating Cunt (1964) in its entirety. -- Source of annotation: Marvin or Ruth Sackner.

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Printed personal statements in cartoon bubbles are collaged in several areas of a road map of south & east England. -- Source of annotation: Marvin or Ruth Sackner.

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This is a guide to fashion shops in Paris. -- Source of annotation: Marvin or Ruth Sackner.

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Presented as an actual newspaper article, the names of the vessels involved in the fishing incident are printed in traditional calligraphic writing. -- Source of annotation: Marvin or Ruth Sackner.

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Presented as an actual newspaper article, the names of the vessels involved in the fishing incident are printed in traditional calligraphic writing. -- Source of annotation: Marvin or Ruth Sackner.

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Menu from Chicago restaurant. -- Source of annotation: Marvin or Ruth Sackner.